From craftsman to operative: the work ethic ideology and American art
Martyrs and monuments: The Haymarket affair
The spectacle of labor: the world's Columbian Exposition of 1893
The erotics of the laboring body: Douglas Tilden's Mechanics Fountain
A museological tribute to the work ethic: the Constantin Meunier Exhibition
The stoker, the ragpicker, and the striker: American genre sculpture in the Progressive Era
Icons of labor: capitalism, communism, and the politics of sculpture, 1917 to 1935
Conclusion: organized labor and the politics of representation: The Samuel Gompers Memorial.
